Photo: Sandra Henningsson
There is no doubt that the British rhythm and blues combo Dr
Feelgood was as much a hot house for great guitarists as were The Yardbirds
(Clapton, Beck, Page...), or that Wilko Johnson created the template on
which the Feelgoods’ sound was built. And so, when in 1977 Wilko departed the
band he lovingly formed with Lee Brilleaux, Sparko and The Big Figure, it left an
impossible void.
For a moment, the Feelgoods’ considered seasoned pro Henry
McCullough (Wings), and others, to step up to the plate. Not to ‘dis’ such capable
musicians, but sometimes it takes more than musical chops to complement an
existing combo and help drive it into a future it deserves. It was therefore major good fortune
that brought the Feelgoods’ attention to one John Philip Cawthra, born London,
1951.
They ‘found’ him (and nearly didn’t) in Harlow, Essex. He
was living in a squat with a guitar, an amp, and a stack of blues LPs. The Big
Figure was sent to kidnap him, gangland style. He was told that his name was ‘a
bit of a mouthful’, and so a telephone directory was slung in his direction, with the
command, ‘pick yourself a name out of there’. The pages fell open at M, and ‘Mayo’
jumped out. When Lee Brilleaux observed that their new guitarist always seemed to
have some medical complaint – ‘the gyp’ – ‘Gypie Mayo’ was born.
It was a tough challenge to follow the great Wilko Johnson,
bur Gypie managed, and introduced into the Feelgood mix a broader musical palate.
The sounds of Stax, Motown, and even Beatles-baked riffs suddenly fell at the
group’s disposal. Mayo had listened to it all, absorbed it, and poured it out
through every sinew of his dextrous chord-shaping fingers. Needless to say,
Brilleaux was impressed.
It fell to Nick Lowe to fashion a whole album’s worth of
material from a band that was still reeling from the departure of its major
songwriter, Wilko. ‘I felt my job was to help them get a foot in the door,’
says Nick. ‘I used to go down to Canvey to their rehearsals, and helped to
bring the songs together in a collaborative way. Gypie was a fantastic
guitarist and he was perfect for them.’
Be Seeing You
The resulting album was Be
Seeing You, and the following year Lowe was again called in to assist with
a song for the next Dr Feelgood LP, Private
Practice. ‘I think I might have been in bed when they called. I went over
to Eden. I can’t remember if they had the title Milk And Alcohol, but we were
talking about an experience we’d had in the States a few years earlier, when I
was a Dr Feelgood roadie.’
Milk And Alcohol, based on a guitar riff by Gypie, became
the Feelgoods’ biggest hit single. They had also scored with a cover of Mickey
Jupp’s Down At The Doctors, and it was the success of these records in 1978/79 that
fuelled the Feelgoods’ bankability on the live circuit throughout the turn of
the next decade.
But by 1980 Gypie had become tired of being part of a relentless
touring machine, not that he disliked the music, the great album A Case Of The Shakes was testament to
the musical excitement he helped create. But the constant strain of being
pulled away from his young family was too much, He had also fallen victim to
drug abuse, as he openly admitted to me earlier this year. ‘We worked ourselves
a little bit too hard,’ he said. ‘There were two reasons I quit; one was
domestic, and the other was that we simply didn't have time to work on the
music. We were burnt out and it was down to me to be the creative one and come
up with ideas. I felt I wasn't able to fill that role. I’m not proud of the
fact I became addicted, but I’m not deeply, deeply ashamed either.’
Many years passed before Gypie settled into his next name
band, the re-formed Yardbirds. To fill the shoes of their legendary players like
Clapton and Beck was a doddle for Gypie. He had it all down, a master player,
and a true gentleman. In more recent times Gypie travelled to Japan with former
surviving Feelgoods colleagues Sparko and Figure as ‘The Lone Sharks’, and also became a guitar teacher in Bath.
A DVD set of Dr Feelgood from ‘Rockpalast’ 1980 is due soon
from Repertoire Records.
The totality of Gypie’s recorded work with Dr Feelgood can
be found on the luxury box set ‘Taking No Prisoners’.
Taking No Prisoners
Never met the man but "Down At The Doctors" was always on playalonga with my guitar list. What he played was seemed so simple, and SO right...and in the end I could never get it right so I did the only decent thing and just listened to it all over again. Great stuff. R.I.P. Sir.
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ReplyDeleteThanks Will. I just feel deeply sad about this. I remember doing some sort of festival in Holland with The Feelgoods shortly after Gypie joined. I wasn't really expecting much - Wilko was irreplaceable and I couldn't imagine anything other than a steady decline for Doctor Feelgood. But when Gypie started up he sent me reeling, and it was that way every time I saw him play. I saw him at The Hope 'n' Anchor with a band called The Cobras shortly after he quit the Feelgoods and it was the same thing, and even in a room upstairs at the Queen's Head in Southend playing with a country rock covers outfit. Last time I saw him was with The Yardbirds and he still had it down.
ReplyDeleteExcuse me rambling on. (Had to delete and re-post due to nonsensical nature of ramblings)