Photo: Steve O'Connell
DR FEELGOOD at the Dr Feelgood Music Bar, Canvey Island, January 1994
Out beyond the Essex flatlands, down on the Thames Delta, in
the shadow of the refinery, past the wooden shacks and executive housing
estates, deep in the hollow, lies the Dr Feelgood Music Bar, six months in
business and living with the threat of the developer's bulldozer. Over the
deep-puddled car park, through the neon-lit door, past security and the
Feelgood merchandise unit, beyond the crowded music room and smoke filled main
bar, out in the back, over a pint, sits Lee Brilleaux. He is thirty minutes
away from his first public appearance in twelve months. After twenty years of relentless touring, during which the
insides of almost every live music venue in Europe and its nearby hotels, bars
and restaurants have been explored, savoured and annotated, Brilleaux was
forced, in February 1993, to cease operations. Ill health had dictated that it
was time to lay off the band, garage the van and take down the backdrop.
Tonight, after an uncertain year, the music room is packed
with the faithful. Many have travelled hundreds of miles and crossed borders to
see the return of Brilleaux. He is wearing an immaculate Soho suit and is
seated, centre stage, on a barstool, lending the proceedings a touch of the
Unpluggeds. His musicians, Steve Walwyn (guitar), Dave Bronze (bass),
Kevin Morris (drums) and Ian Gibbons (piano), temper the volume and lay down
the groove for a sixty minute set of rockhouse rhythms and deep blues. Having
been restricted to singing in the shower for a year, Brilleaux quickly finds
his voice. 'LA Lady lives in a home.' he rasps, 'made entirely
of styrofoam'. On the low stage, he rises from his barstool to take a harmonica
solo. Most of the audience in the packed
room get their first glimpse of the man in over a year. An enormous cheer goes
up. Lee looks surprised, but soon
realises it is probably not his harmonica skills they are applauding. They are
simply overjoyed to see the guvnor, back in his natural habitat, alive and
kicking.
No comments:
Post a Comment